Tape still hears it differently.

The live room was a bottling hall before it was anything else, which is why the ceiling is nine metres and why a snare sounds the way it does in here. We kept the brick, added a floated floor and left the rest alone. Most of what arrives gets tracked live, four or five of you in the same space, looking at each other. It is a slower way to make a record and it tends to sound like people rather than files.